Coming soon :The Personal in the Landscape - Our Winter group exhibition from 18 November 2023
Artists include Eileen Coxon, Kate Giles, Jane Human, Jane Kell, Ross Loveday, Anne Lynch RWS, Caroline Poole, Nahem Shoa. Sculpture by Roger Hardy.
Full list of works shortly.
Artists include Eileen Coxon, Kate Giles, Jane Human, Jane Kell, Ross Loveday, Anne Lynch RWS, Caroline Poole, Nahem Shoa. Sculpture by Roger Hardy.
Full list of works shortly.
Alex Ayliffe - Connections, Boundaries and Place. Remaining works
Connections, Boundaries and Place
“Abstract art uses visual language of shape, form, colour and line to create a composition which may exist with a degree of independence from visual references in the world” (Rudolph Arnheim 1969).
Over the last few years this way of thinking has been the context for my work. I’ve referenced landscape and place, but not in the traditional sense. Rather, I explore a landscape as a metaphor, infusing emotion within the geography of a personal ‘scape’ – in effect, an inner landscape infused with the outer landscape. Through the use of colour, texture and scale, each painting contains a suggestion of a place within a place, loosely bound within outer boundaries and edges. Boundaries define an area, and my work questions how we respond and connect as we cross from one place to another. It has a notion of ‘edge’ where nothing is isolated or separate, but is connected, and it asks where exactly the personal landscape ends and the geographic landscape begins.
My move to Suffolk in 2021 has brought a new dimension to this work. The constantly shifting sea, sky and landscapes of the coast, the unique colour palette of the land, marshes and rivers have combined to inspire me in new directions.
The result is this exhibition, which is a homage to the connections, boundaries and places of Suffolk - its melancholic beauty, its colour and its stillness.
Alex Ayliffe July 2023
“Abstract art uses visual language of shape, form, colour and line to create a composition which may exist with a degree of independence from visual references in the world” (Rudolph Arnheim 1969).
Over the last few years this way of thinking has been the context for my work. I’ve referenced landscape and place, but not in the traditional sense. Rather, I explore a landscape as a metaphor, infusing emotion within the geography of a personal ‘scape’ – in effect, an inner landscape infused with the outer landscape. Through the use of colour, texture and scale, each painting contains a suggestion of a place within a place, loosely bound within outer boundaries and edges. Boundaries define an area, and my work questions how we respond and connect as we cross from one place to another. It has a notion of ‘edge’ where nothing is isolated or separate, but is connected, and it asks where exactly the personal landscape ends and the geographic landscape begins.
My move to Suffolk in 2021 has brought a new dimension to this work. The constantly shifting sea, sky and landscapes of the coast, the unique colour palette of the land, marshes and rivers have combined to inspire me in new directions.
The result is this exhibition, which is a homage to the connections, boundaries and places of Suffolk - its melancholic beauty, its colour and its stillness.
Alex Ayliffe July 2023
New Ceramics by Elaine Bolt - the Weft Collection
For this project, Elaine found direct inspiration in a companion craft - hand-spun and woven textiles. Working with Brighton based artist-maker Imogen Bright Moon, Elaine has created a collection reflecting the muted tones of cream, beige and dark flecked brown found in undyed wool and natural yarns. The forms and textures of the vessels were similarly inspired by shapes and textures found in weaving - the tapered forms of yarn cones and the repeated lines drawn in the warp and weft of woven fabric.
Elaine’s signature use of mixed media in her work ensured the use of carefully placed additions - in this case tendrils of wisteria draw meandering, thread-like lines in the air above the ceramic pieces.
For this project, Elaine found direct inspiration in a companion craft - hand-spun and woven textiles. Working with Brighton based artist-maker Imogen Bright Moon, Elaine has created a collection reflecting the muted tones of cream, beige and dark flecked brown found in undyed wool and natural yarns. The forms and textures of the vessels were similarly inspired by shapes and textures found in weaving - the tapered forms of yarn cones and the repeated lines drawn in the warp and weft of woven fabric.
Elaine’s signature use of mixed media in her work ensured the use of carefully placed additions - in this case tendrils of wisteria draw meandering, thread-like lines in the air above the ceramic pieces.
Elaine Bolt / Yarn Cone Vessel White / Thrown porcelain £150, Yarn Cone Bottle, Tall Cream/ Hand built and carved stoneware /£275
Yarn Ball Vessel, Red, Brown/ Thrown oxide-stained porcelain / £98, Yarn Cone Vessel, Speckled brown / Thrown oxide -stained stoneware / £175, Yarn Weft Vessel / Thrown porcelain / £245